Soghra Khurasani's expansive, subtle landscapes are vividly coloured in hues of red, with each print speaking in multiple layers of imagination that refuses to reveal itself with ease.

In his essay Sumesh Sharma writes that ,"These [landscapes] then give rise to a series of red etchings called ‘Beneath Shades’ and ‘Dark Shades’ where rivers or molten lava in deep red collect into pools or craters. The red here suddenly is representative of the gathering of women who trickled into a mass of protests during the aftermath of the Delhi rapes.."