Karan Kapoor23 September - 16 October, 2016
Time & Tide, curated by Nathaniel Gaskell and presented by Tasveer, is an exhibition of limited edition prints by Karan Kapoor. This exhibition brings together two bodies of work made by Kapoor in the 1980s and 1990s, and focuses on people and places that have either been lost to history, or changed beyond recognition. Time & Tide is accompanied by a new book, published by Tasveer, with reproductions of the photographs and original texts by William Dalrymple and Felicity Kendal. The first series in the exhibition presents a study of ageing Anglo-Indians, primarily from Bombay (Mumbai) and Calcutta (Kolkata), and forms one of Kapoor’s earliest personal photography projects. Drawn to the subject, both by the sense of a world removed from time and personal history—he is himself of both Indian and British descent, being the son of Shashi Kapoor and Jennifer Kendal—Kapoor began by researching the older residents of The Tollygunge Home for Anglo-Indians in Calcutta. He writes, “I was more interested in the older generation as they seemed to be the last remaining remnants of the British Raj – people who remembered the railway cantonments, the Marilyn Monroe look-a-like contest, the ‘Central Provinces’, and so on, a world long gone.” This idea of a world no longer present or fast fading also forms a central thread in Kapoor’s second series presented here, that is comprised of photographs taken during his frequent visits to Goa, where he vacationed with family and friends at their house on Baga Beach. Taken in the 1990s, these photographs capture an older Goa: the last of ‘Portugal Goa’. Although Goan Catholics, probably the largest inheritors and key defenders of their Portuguese heritage, continue to exist in Goa today, their numbers have steadily declined over the years. Showcasing the attempt of these two communities to hold on to their unique identities, against the sweeping tides of modernity in rapidly changing times, the photographs in this exhibition document, in a certain sense, cultures in preserve. Though these communities continue to exist in different forms and fewer numbers today, Kapoor’s black and white photographs showcase a remarkable fossilised window into their world, capturing the end of an era, and as he remarks of the Anglo-Indians, “the last of a dying breed.” Time & Tide opens in Mumbai at TARQ and will then travel across the country, including Bangalore, Kolkata, Ahmedabad and Delhi. For more information about the exhibition and schedule, visit www.tasveerarts.com/exhibitions. Signed and limited edition silver gelatin prints are available from Tasveer in editions of 12.
Karan Kapoor is a London-based photographer of Indian and British descent. A former film actor and model, Kapoor took to photojournalism in the 1980s. Since then, he has moved on to advertising as well, and has worked on multiple high-profile campaigns for major brands. Though his roots are in photography, he has also branched out into moving images, and has shot video for some campaigns. Kapoor has been exhibited in London at the Photographers Gallery, The Commonwealth Institute, Royal Academy of Arts and the Association of Photographers. His work has been published by several media-houses and continues to be critically acclaimed by the photography industry, winning awards like the PDN Annual, American Photography, IPA, PX3, and the Black and White Spiders Cup.
Karan Kapoor’s fable-like photos bring alive an India of the past
Even though he made these images more than 25 years ago, some of them have remained vivid memories for Karan Kapoor. The picture of the two Goan boys dressed for fête for instance, is something he couldn’t quite get over in all these years.
Vogue08 Aug 2016
After all this time
If acting was a rite of passage for Karan Kapoor, photography was his calling. In his first exhibition in India, Kapoor’s photographs from a 30-year old series on Anglo-Indians in Bombay and Calcutta, and one on Goa, find themselves in the spotlight.
The Indian Express21 Aug 2016
You may know Karan Kapoor as the son of Bollywood actor Shashi Kapoor. You may remember him from the ’80s films Sultanat, Loha or Afsar that make up his brief film career. Or you may have been swayed by his brown eyes, fair hair and handsome half-grin to splurge on the Bombay Dyeing fabrics he modelled before he moved to London in the ’90s.
Hindustan Times03 Sep 2016
An Eye for Drama
Catching up in London with Bombay Dyeing heartthrob Karan Kapoor, who comes to the city with images of the Anglo Indians in Mumbai and Kolkata
Mid-day04 Sep 2016
Born into the Kapoor family, Karan Kapoor’s love for camera grew much before the camera fell in love with him. By the age of 15, Karan was taking pictures, which would eventually shape his career as a professional photographer.
Asian Age17 Sep 2016
Through the looking glass
When Karan Kapoor first started taking photographs of Goa in the early 80s, he wasn’t consciously documenting anything in particular. Everything that he was drawn to, everything that caught his mind’s eye, both familiar and unfamiliar, is what his Nikon FM SLR took in.
The Hindu18 Sep 2016
Woman of letters: Time and Tide
It is midnight as I write to you. Like many others this evening, I too was incredibly moved to see your outstanding exhibition Time and Tide, of portraits of Anglo Indians and people from Goa, which will travel across the country.
DNA25 Sep 2016
Commercial photographer Karan Kapoor debuts with first exhibition in Mumbai
At 54, Karan Kapoor, the second child of actors Shashi Kapoor and the late Jennifer Kendal, is the spitting image of his father — the same dashing looks and boyish charm, though minus the acting flourish with forgettable roles in Loha and Sultanat.
DNA25 Sep 2016
End of an Era
25NERVEPHOTOGRAPHYTwo bodies of work are close to this photographer’s heart. One, on the Anglo-Indians and the second on the Portuguese people of Goa. Curator Nathaniel Gaskell compiled these images by London-based Karan Kapoor for an exhibition Time and Tide, which premiered at Mumbai’s Tarq gallery last month.
Verve01 Nov 2016
In Pics: A Bygone Era Of Lost People, From Karan Kapoor’s Darkroom
The Kapoors are so many and so much, yet they never cease to impress. Son of Shashi Kapoor and Jennifer Kendal, Karan Kapoor is an award-winning, internationally exhibited photographer with an unfairly short modelling and acting career.
The Quint23 Sep 2016
Vintage photos of Goa like you’ve never seen before
A dozen fishermen stand in pairs on a secluded beach. They are pulling out something from the sea that isn’t visible to the photographer. In the far end of the frame, a figure is walking towards a hillock that marks the end of this beach. The fishermen and the lone walker are the only human presence on the beach.
India.com23 Sep 2016