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21 April 2020

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11 August 2016

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Broken Foot- Unfolding Inequalities

10 July 2020

Online curated Exhibition/ Fundraiser

Curated by Prabhaker Kamble and Rumi Samadhan

Artists United Collective comes together for a dual purpose- As a responsible and purposeful curation subjecting an existential crisis of the times and to build cognitive self-sustainable systems, in support for artists.The socio-politically conscious artists have been invited specifically to build a context for the curatorial vision, as they help us generate a Fundraiser for the ones in need.

‘Broken Foot- Unfolding Inequalities’, is AUC’s first online curatorial exhibition project, as a fundraiser. The artists collectively raise a voice through forms of voices of dissent as projections of subjects representing as well as interrelating the context of Labor and Nation, some artists specifically address the ‘Unfolding Inequalities’ locating the Existential migrant-labor crisis as a ‘Rupture’, as an ongoing as well as a historical trajectory of ‘Forms of Inequalities’, as the Pandemic unfolds the societal inequalities of the times, be it social as political or environmental, and so on. AUC’s project ‘Broken Foot- Unfolding Inequalities’ is in collaboration with Mojarto/NDTV alliance.

Project Collaborators: Artists United Collective and Mojarto
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TFA Cycle-2: Estuaries of waning sounds

15 February 2020

 The project inquires about the slow loss of the Koli dialect. It maps comparative anecdotes of fading Koli dialect from Chendani Koliwada and Vitawa Koliwada. Chendani village has lost its native language decade back and the native language of Vitawa village is on a verge of extinction.

It starts with an engagement with villagers to write words and meanings later culminated into a socially engaged dictionary which will be displayed in the Pop-up Museum.

      Koli Words has its own rhythm, sounds that trigger our desire to move and dance. We are inviting three Koli folk song Bards Ramesh Nakhwa from Chendani, Damodar Koli from Vitawa and Pundalik Mhatre of Ulwe, who have written a few of their poems.

     These three poets are last generation folk bards who know the dialect of their own village appropriately, the interesting part about Vitawa and Chendani village is that they face each other and in between lies the Thane creek (Ulhas River creek). Fishing in Chendani village and Vitawa Village is slowly vanishing because of increasing water pollution due to industrialization and urbanization. Ramesh Nakhwa and Damodar Koli are folk Bards well known Koli Shahirs of Mumbai their songs are about festive occasions, ocean and fishing culture, and Pundlik Mhatre’s poetry is rebellious and feature current issue of the ongoing displacement of Ulwe village, as the Navi Mumbai Airport is encroaching into his village and part of the sea.

‘The Tandel Fund of Archives’ is a public art project, a pool of archives, which aims to gather and document information of fishermen communities in and around Mumbai. It aims to forge connections with the public sphere through pop up exhibits of archival material.

Project Collaborator: Tandel Fund of Archives
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  • Celebrating 10 years of Space118 with an exhibition by 33 artists

    ‘Making Space’ at Sakshi Art Gallery, Mumbai will see works by different artists who have been part of art residencies at Space118

    Architectural Digest
    19 Sep 2019
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  • Tales from the Koliwada

    TwoKoliartists from Thane are documenting the shifts in the irancient community’s identity through pop-up museums, says Ranjita Ganesan

    Bussiness Standard
    22 Jun 2019
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  • Experience the Chronicling of a community with Parag Tandel

    The artist’s solo show of sculptures bring to life his childhood memories as a member of the Koli community

    01 Sep 2016
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  • Loksatta

    A feature of works by artist Parag Tandel, in the Loksatta news article.

    18 Aug 2016
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  • Once upon a time

    There was a time when dolphins, known to the Koli community as eda masa (mad fish), used to swim up the Thane creek, much to delight of those who lived along the banks. “They don’t come anymore, of course,” says Parag Tandel, adding, “I also used to see a lot of mudskippers when I used to go swimming in the creek as a child.

    The Indian Express
    16 Aug 2016
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  • The personal is political

    The thing about consuming television and the Internet is that we are constantly enveloped by the major miseries of the world. Yet another species is erased, a landslide kills dozens, a drought parches hundreds — this is de rigueur for the daily news, disasters hurtling towards us at warp speed.

    The Hindu
    16 Aug 2016
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  • Art Attack

    We round up the hottest shows and exhibitions to check out in town this week - UNWIND Colourful sculptures, based on both mythical and real creatures of the sea, make up Parag Tandel’s third solo exhibition at Tarq. Chronicle focuses on the ideas of ecology and migration, and attempts to engage the viewers in a conversation about how our practises are affecting our planet.

    16 Aug 2016
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  • Casting for Memories

    With his next exhibition, artist Parag Tandel brings to a Colaba gallery the realities of life in a koliwada — an existence that is competing with the money market as well as the death of marine life Parag Tandel learnt to count with Bombay ducks. "My mother was in the business of selling dried fish at the local market here in Thane.

    07 Aug 2016
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  • India Express: Unlocking Art. Part 2

    Museums and galleries are closed, but art certainly isn’t. In this edition of ‘Unlock Art’, we have picked virtual fundraisers, exhibitions and sales that are happening in India and abroad. There’s something for everyone here — a tutorial spanning 250 years of art history; exhibition-quality photo prints to get your art collection kickstarted; a homage to the great Indian master, Raja Ravi Varma; and, a sale of affordable works of art. All you need is your phone or laptop and your sense of curiosity. Mumbai-based gallery Tarq’s first online exhibition asks viewers to acknowledge the collective feeling of uncertainty and stillness that we have been catapulted into due to the pandemic. Titled ‘Resurgence’, the exhibition strikes its emphatic note through works by Apnavi Makanji, Aaditi Joshi, Clare Arni, Nibha Sikander, Parag Tandel, Ronny Sen, Sameer Kulavoor, Savia Mahajan, and Soghra Khurasani. Thane-based Tandel draws from his background as a member of the Koli community to create eternal circles of fish in Coast is Clear (2020). Khurasani’s landscape Skin VIII (2018), a woodcut print on paper with deep jewel tones, evokes the intimate connections between human bodies and nature. In Blued 3 (2019), Kulavoor picks the colour of the ubiquitous tarp that springs up in cities during the monsoon to convey the practice of jugaad. In these works and the rest, the exhibition explores the balance between humans and nature, suggesting that uncertain times can also work as a healing interlude.

    The Indian Express
    10 May 2020
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  • Ministry of New – An artist by the sea

    Parag Tandel is a Mumbai based artist who draws inspiration from his Koli heritage. He was part of Art Bites #3 and shared great insight into his community and how that affects his practice. We chat more with the artist below. What drew you to work with fisherfolk for your project ‘Tandel Fund of Archives’? I was born into a fisherfolk community and completed my post-graduation in Fine Arts, creative sculpture from MSU, Baroda. Art school really taught me about culture and my mentors asked me to look further into my background. My childhood and the rooted landscape are connected to water bodies and estuaries, and I began to wonder, "Can this be art? How can I materialize this into tangible forms? What can be my art? What do I want to talk about? What is my current story? Do I have a story?" Since 2010, I started showing my experiences in sculptural forms. But there was a lot I can see pictorially and also oral histories and many more current situations which I desire to document.

    Ministry of New Blog
    26 Jul 2020
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  • Mid-day- Tales from a Koli kitchen

    Using his mother's recipes, a Thane-based artist is documenting culinary practices in his community and addressing questions on food security through a video series It all began with my mother's desperate need to have fresh fish that was not accessible [when the lockdown kicked in]. So, she had to unlock her storage of dried fish, which was preserved for the monsoon, when we do not eat fresh fish as it's the breeding time of marine organisms," shares Thane-based artist Parag Tandel, who has been spending the past three months cooking with his mother, Kamal Kashinath Tandel, documenting culinary traditions of the Koli community. The result is Let There Be Bounty Everyday, an ongoing video series with Sunaparanta Goa Centre for the Arts as part of their initiative Surviving Self Quarantine (SQ).

    04 Aug 2020
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  • Mid-day- Museums for our well-being

    The Saturday session features Mumbai artist, Parag Tandel (in pic) and artist educator, Kadambari Koli-Tandel, who run Tandel Fund of Archives that documents information on fishermen communities in the MMR region. "They bypassed the museum space through a public art project, and are building a trans-disciplinary narrative via community engagement" -Poornima Sardana

    28 Aug 2020
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