> Gardens of the Mind

Swapan Nayak

, Gilles Bensimon

25 February - 19 March, 2016

Tasveer brings together for the first time the works of Indian artist, Swapan Nayak, and French fashion and lifestyle photographer, Gilles Bensimon, in an exhibition that juxtaposes two very different approaches to photographing elements of the natural world.

Gilles Bensimon, former art director of Elle, makes a significant departure from his earlier figurative oeuvre in his series Watercolour, featured here. Fascinated by the beauty of flowers, and by their associations with myriad varieties of cultural expression around the world, he both literally and metaphorically submerged himself – and volumes of freshly cut blooms – into pools of water to create amazing blossoms of colour. The resulting images present a range of wonderful palettes and blurring the lines of abstraction and representation, yield a new perspective on the traditional notions associated with the depiction of the flower in art.

Bensimon’s photographs bursting with colour and a refractive-glossiness, are a stark contrast to Swapan Nayak’s black and white minimalist imagery. Nayak, a former photojournalist, also examines the natural world, and its intimate association to transformation. Made over a span of three years, in Eastern and North Eastern India, his series Radha: A Love in Eternity also breaks away from simple representation, producing the known and familiar and new, graphic ways. Intended to be an exploration of purity, the nature of the self, of consciousness, the profound and the divine, this series was inspired by his reading of Vaishanava Padabali, a nearly 700 year old Bengali text that narrates the very popular Hindu myth, of Radha and Krishna and their eternal love. In many ways, this series also froms a lateral progression from Nayak’s earlier Being and Nothingness, that was inspired by Satre’s text of the same name and involved a quest for the truth.

Providing a unique opportunity in the study of photographic method and practice, this exhibition through its juxtaposition of two distinct aesthetic styles highlights the diversity offered by the photographic medium in interpreting and re-presenting reality.

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Swapan Nayak

Born in 1965, Swapan Nayak is an independent photographer based in Kolkata, India who started working professionally from 1995 and has worked in editorial photography for various publications both in India and abroad. He was awarded the National Media Fellowship (2002-2003) by the National Foundation for India, the Nirmaan photography fellowship award in 2006 and the National Senior Fellowship in photography (visual art) for the period of 2009-2011 by the Ministry of Culture, Government of India. Nayak has held three main solo exhibitions, ‘Nowhere People’, ‘Refugees In Their Own Land’ and ‘Being & Nothingness’, and was also part of the group exhibition ‘Click! Contemporary photography from India’ organised by the Vadehra Art Gallery in 2008. His work has further been published in several international magazines; Time, News Week, Asia Week and Southern Exposure, amongst others.

Gilles Bensimon

Born ‘a relatively long time ago’, in his own words, into a family of art dealers and artists, Gilles Bensimon is an internationally acclaimed fashion and lifestyle photographer, who counts his current age as 15 in leap years, since he was born on February 29. After stints in art school and the army, he ended up working for fashion magazines in France. Bensimon established his international reputation at the helm of Elle magazine, and his star-studded portfolio consists of a very long list of leading models and celebrities, including Cindy Crawford, Naomi Campbell, Gisele Bündchen, Madonna, Gwyneth Paltrow, Keira Knightley, Beyoncé, Jennifer Lopez, Reese Witherspoon, Sarah Jessica Parker, Halle Berry and Uma Thurman; and his commercial clients have ranged from Kohl’s to Saks Fifth Avenue and Maybelline to Clarins.


  • Juxtapositions of a natural kind

    juxtaposition has often been used to comment and link two viscerally different themes. This is most apparent at Tarq’s ongoing show, ‘Gardens of the Mind’ , which places Swapan Nayak’s contemplative black and white prints alongside Gilles Bensimon’s colourful, abstract studies of flowers submerged in water that are larger and much more immediate.

    The Hindu
    14 Mar 2016
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  • Colour coded garden: Photographers Swapan Nayak and Gilles Bensimon present two ways of looking at nature

    Sharp black-and-whites and blurry riots of colour… Gardens of the Mind, the latest exhibition at Tarq, showcases two diametrically opposite portrayals of nature through 60 photographs by India's Swapan Nayak and France's Gilles Bensimon. Tasveer, a Bengaluru-based comtemporary photography space, has put together this exhibition as part of its 10th anniversary celebration.

    13 Mar 2016
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  • Photo exhibition: Just Imagine

    A show by Tasveer, as part of its 10th anniversary celebrations, juxtaposes two starkly different approaches to photographing elements of nature. Works by Swapan Nayak and Gilles Bensimon at Tarq in Colaba explore beauty in myriad ways in an exhibition titled “Gardens of the Mind”.

    The Indian Express
    10 Mar 2016
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  • The viewfinder: Two distinct approaches to shooting the natural world

    Flowers submerged under water creating a palette of magical colours; unadorned black and white images of leaves floating in the water or in thin air; branches of trees drooping to the surface of the pond and casting endless reflections — these are some of the images that adorn the walls at Tarq gallery .

    Hindustan Times
    26 Feb 2016
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