23 August 2018Read More
New world chronicles of an old world colour
07 July 2016Read More
Ronny Sen – ‘The work is about the apocalypse in a certain way, where everything will go to the fire and the dust’
Ronny Sen talks about photographing the out-of-control fires burning underground in the coal mines of Jharia, India, how he ensures every image has something it reveals and something it hides, and the death of Kolkata. He photographs the explosions by daylight: in Jharia End of Time 11 (2014), a plume of grey and brown smoke curls into the sky, while a patch of dried grass uncannily matches its colours.
Sen is also a film-maker; his first feature film, Cat Sticks (2019), received an honourable mention at the Grand Jury Prize for Best Narrative Feature at this year’s Slamdance Film Festival.
Studio International06 Apr 2019
Vogue | Who and Why Ronny Sen
From photographing the General Elections in 2014 for the United Nations and Fabrica to being part of the permanent collection of the Alkazi Foundation and winning the Getty Images Instagram Grant, Sen straddles reportage and documentation through his work, and has recently made his filmmaking debut with Cat Sticks, which will be hitting the festival circuit soon.
Vogue08 Dec 2018
A way into the future: Optics of cruelty
A recent exhibition by photographer Ronny Sen features images of the coal fire that has been burning in Jharia — a coal-mining town in Jharkhand — since the early 1900s, as well as the unethical and unsustainable mining practices that continue in the area till today. The artist looks deeply into the current issue of environmental degradation that has made life almost unliveable in some parts of the world.
Domus10 Oct 2018
Ronny Sen's second solo exhibition at TARQ highlights his photographic engagement with the contemporary landscape. with a sharp focus on Jharia, a coal mining town in Jharkhand
Saffron Art29 Sep 2018
Embers of the Dying Future
Photographs offer a documentation of a time. One singular moment, reference, trigger of a memory that was. Fire Continuum, previously published as End of Time, tells of time that will continue as is; the beginning of endlessness, when nothing will move along with the days making it appear as though this, that is now, will last forever.
Matters of Art27 Sep 2018
Highway to Hell
On a livid colour wall, in 21 photographs of 9 x 6.75 inches, a fire is burning. As static as the photographs are, the sequentially changing shapes of the flames emerging out of the pitch-black ground gives mobility to the immobile. These photographs along with the 40 other photographs exhibited at Tarq, an art gallery in Colaba, narrates the tale of the infamous coal fires that have been burning in Jharia for more than hundred years. And the storyteller is the Kolkata-based photographer and filmmaker Ronny Sen.
Asian Age12 Sep 2018
Road to Perdition
Brown forests, lakes of fire. Burning mountains and broken temples. Empty villages — all consumed by toxic fumes. In photographer Ronny Sen’s rendition of Jharia - a coal mining town in Jharkhand, the earth seems to come alive of its own accord. Sprouting neither greens nor grain, it implodes and explodes as though in rage, unable to contain the fire that has been burning in its belly for over a century.
The Hindu07 Sep 2018
Witnessing the Apocalypse
Ronny Sen's exhibition on the coal mining town of Jharia takes a deep look at environmental degradation
The Afternoon DC07 Sep 2018
Highlighting environmental issues by capturing reality
Photographer Ronny Sen’s second solo show at Mumbai’s Tarq Gallery is titled Fire Continuum. Following his last exhibition in Mumbai, New World Chronicles Of An Old World Colour, presented in 2016, the new exhibition, Fire Continuum, continues to highlight Sen’s photographic engagement with the contemporary landscape. Shifting his lens to Jharia, a coal mining town in Jharkhand, the artist looks deeply into the current issue of environmental degradation that has made life unlivable in some parts of the world.18 Aug 2018Read More
The Seer And The Seen — Ronny Sen
Bridging the gap between a photographer and photojournalist, Ronny Sen’s works make for poetic form of storytelling and a compelling documentation of our times. His most captivating series End Of Time - on the coal town of Jharia, Jharkhand, where underground res have been burning for more than a century - recently won him the Getty Images Instagram Grant 2017
Design Fabric30 Nov 2017
Ronny Sen photographs a beautiful Polish winter
Dregs of a common political past is what photographer Ronny Sen thought he would find when he moved to the Polish port city of Gdańsk for an art residency last year. Sen came from Kolkata, a city ruled by a Communist government for more than three decades, and expected to find in Poland—also an erstwhile communist regime—a landscape similar to where he came from.
Architectural Digest06 Jul 2016
Red is the warmest colour
In the midst of a Polish winter, Ronny Sen searches for traces of the country’s communist past In this writer’s experience, photographers aren’t always great raconteurs. But 29-year-old Ronny Sen disproves that. Kolkata-based Sen is in town to showcase his work made during a residency in Poland in 2015
The Hindu05 Jul 2016
While searching for Poland’s Red past, an Indian photographer discovers its beautiful grey winter
Ronny Sen wanted to discover commonalities between Gdańsk and Kolkata. He found something else in the process. Last winter, when photographer Ronny Sen was at an art residency in Gdańsk, Poland, he was possessed by the idea of discovering a past that mirrored the Communist landscape of his hometown, Kolkata.
Scroll05 Jul 2016
Platform. Vol VI. Issue 3. Film. Ronny Sen- Cat Sticks
Cat Sticks is Ronny Sen's debut film and a remarkable one at that. The film explores, in excruciating detail, the lives of the hidden brown sugar (an adulterated, cheaper form of heroin, also known as smack) addicts of Kolkata. Drug addiction has always been a sensitive subject, whether in literature or cinema and there seems to be a stock attitude with which it is dealt with- one that is less invested in understanding the disease that is drug addiction, and more interested in issuing a warning about it.
Platform Magazine15 Jan 2020