Pratap Morey is a Mumbai-based artist with a post-graduate diploma in Indian Aesthetics from Mumbai University and a Graduate degree in Fine Art from Vasai Vikasini College of Visual Arts. His solo exhibitions include Concrete Ciphers, TARQ, Mumbai (2019), Lost right Angle, Space Gachang, Deagu, South Korea (2017) and measure | decipher, TARQ, Mumbai (2015).
He has participated in several curated group shows, including Under Construction, curated by Anuj Daga, Khoj Artist Association, New Delhi (2018); Planes of Experience, Zones of Action, curated by Kaiwan Mehta, Gallery Max Muller Bhavan, Mumbai (2017), Jeonnam International Sumuk Pre-biennale, Jeollanam-do, South Korea (2017); Red moon song, curated by Georgina Maddox, Apeejay Art, New Delhi (2016); Imagined futures, Reconstructed past, curated by Meera Menezes, Gallery Anant, New Delhi (2016); The Unbearable Closeness of Being at Gallery Engendered, New Delhi (2015); the Art on Paper biennale at the Weatherspoon Art Museum, North Carolina, USA (2014); Interstices at the Kochi-Muziris Biennale (2012); Stop Making Sense at False Ceiling Gallery, Mumbai (2012); and @rt Virtually Real at Art Alive Gallery, New Delhi (2012) among others. His art fair participation includes AD Design Show, Mumbai (2018) and India Art Fair, Delhi (2017), represented by TARQ, Mumbai; United Art Fair, co-curated by Meera Menezes under the Artistic Direction of Peter Nagy, New Delhi (2013) and India Art Fair, New Delhi (2013), represented by Art Alive Gallery.
He has participated in residencies at several institutions such as Space Studios, Vadodara, India (2017); Gachang Art Studio, Deagu, South Korea (2017); Harmony Art Foundation, India (2015); the Artists-In-Residence programme hosted by the President of India at the Rashtrapati Bhavan, New Delhi (2014); CRACK International Residency, Bangladesh (2013); Space 118, Mumbai (2012); and Uttarayan Art Foundation, Vadodara (2012). He is also the recipient of the Bendre- Husain-Scholarship, India (2013) and the La Critique award at Salon des Réalités Nouvelles, France (2012).