TFA Cycle-2: Estuaries of waning sounds
15 February 2020
The project inquires about the slow loss of the Koli dialect. It maps comparative anecdotes of fading Koli dialect from Chendani Koliwada and Vitawa Koliwada. Chendani village has lost its native language decade back and the native language of Vitawa village is on a verge of extinction.
It starts with an engagement with villagers to write words and meanings later culminated into a socially engaged dictionary which will be displayed in the Pop-up Museum.
Koli Words has its own rhythm, sounds that trigger our desire to move and dance. We are inviting three Koli folk song Bards Ramesh Nakhwa from Chendani, Damodar Koli from Vitawa and Pundalik Mhatre of Ulwe, who have written a few of their poems.
These three poets are last generation folk bards who know the dialect of their own village appropriately, the interesting part about Vitawa and Chendani village is that they face each other and in between lies the Thane creek (Ulhas River creek). Fishing in Chendani village and Vitawa Village is slowly vanishing because of increasing water pollution due to industrialization and urbanization. Ramesh Nakhwa and Damodar Koli are folk Bards well known Koli Shahirs of Mumbai their songs are about festive occasions, ocean and fishing culture, and Pundlik Mhatre’s poetry is rebellious and feature current issue of the ongoing displacement of Ulwe village, as the Navi Mumbai Airport is encroaching into his village and part of the sea.
‘The Tandel Fund of Archives’ is a public art project, a pool of archives, which aims to gather and document information of fishermen communities in and around Mumbai. It aims to forge connections with the public sphere through pop up exhibits of archival material.
Project Collaborator: Tandel Fund of ArchivesRead More
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A feature of works by artist Parag Tandel, in the Loksatta news article.
Loksatta18 Aug 2016
Once upon a time
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The Indian Express16 Aug 2016
The personal is political
The thing about consuming television and the Internet is that we are constantly enveloped by the major miseries of the world. Yet another species is erased, a landslide kills dozens, a drought parches hundreds — this is de rigueur for the daily news, disasters hurtling towards us at warp speed.
The Hindu16 Aug 2016
We round up the hottest shows and exhibitions to check out in town this week - UNWIND Colourful sculptures, based on both mythical and real creatures of the sea, make up Parag Tandel’s third solo exhibition at Tarq. Chronicle focuses on the ideas of ecology and migration, and attempts to engage the viewers in a conversation about how our practises are affecting our planet.
Mid-day16 Aug 2016
Casting for Memories
With his next exhibition, artist Parag Tandel brings to a Colaba gallery the realities of life in a koliwada — an existence that is competing with the money market as well as the death of marine life Parag Tandel learnt to count with Bombay ducks. "My mother was in the business of selling dried fish at the local market here in Thane.
Mid-day07 Aug 2016
India Express: Unlocking Art. Part 2
Museums and galleries are closed, but art certainly isn’t. In this edition of ‘Unlock Art’, we have picked virtual fundraisers, exhibitions and sales that are happening in India and abroad. There’s something for everyone here — a tutorial spanning 250 years of art history; exhibition-quality photo prints to get your art collection kickstarted; a homage to the great Indian master, Raja Ravi Varma; and, a sale of affordable works of art. All you need is your phone or laptop and your sense of curiosity. Mumbai-based gallery Tarq’s first online exhibition asks viewers to acknowledge the collective feeling of uncertainty and stillness that we have been catapulted into due to the pandemic. Titled ‘Resurgence’, the exhibition strikes its emphatic note through works by Apnavi Makanji, Aaditi Joshi, Clare Arni, Nibha Sikander, Parag Tandel, Ronny Sen, Sameer Kulavoor, Savia Mahajan, and Soghra Khurasani. Thane-based Tandel draws from his background as a member of the Koli community to create eternal circles of fish in Coast is Clear (2020). Khurasani’s landscape Skin VIII (2018), a woodcut print on paper with deep jewel tones, evokes the intimate connections between human bodies and nature. In Blued 3 (2019), Kulavoor picks the colour of the ubiquitous tarp that springs up in cities during the monsoon to convey the practice of jugaad. In these works and the rest, the exhibition explores the balance between humans and nature, suggesting that uncertain times can also work as a healing interlude.
The Indian Express10 May 2020